All posts by Patrick Müller

After I had first filmed H.P. Lovecraft in THE COLOUR OUT OF SPACE (2017) on Dartmoor and in THE GARDEN (2019) in a cemetery in Savannah, the moment had come…

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SPELLBOUND (2021) / INTO THE REALM OF THE NIGHT (2022) / L'HIVER DE L'ÉTERNITÉ (2022) Isolation and travel restrictions, lockdowns that came and went: the coronavirus pandemic also presented me…

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I always make a New Year's resolution: to film with an attachment, or to be more precise: with the Iscomorphot 8 attachment lens! This stretches the 8mm film image during…

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The Bolex is a fascinating device: reliability and functionality combined with beautiful design in leather and chrome make it one of the most desirable film cameras. But how do you…

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On November 2, 2022, a very special film evening will take place in the Museum Gunzenhauser in Chemnitz: eleven poetry films by Patrick Müller will be shown in analog 16mm…

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Who does not know them, the dull, gray digital scans of analog color negative film that can be found all over the Internet? Small gauge film beginners mistakenly think that…

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Small gauge filmmakers appreciate their Muray film viewer, which was also sold in Germany under the brand name Hähnel. No wonder: the little beauties with a dog's nose and hammer…

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Strange blossoms, sunken pathways, déjà vus: Patrick Müllers adaptation of the poem The Garden is a hike through H.P Lovecraft's most personal garden.by Patrick Müller Since my youth I have…

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In July, Lina Gasser from Switzerland interviewed me for her Matura thesis SUPER 8 - AN ANALOGUE SHORT FILM. I answered her questions. How did you come to filmmaking? What…

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Since my childhood I am fascinated by the sea: the view into the sheer infinite, full of reflections, wild and full of life. It leaves no human soul untouched, everyone…

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